In the 1990s, Phil Ross began growing mycelium into solid objects, bricks, blocks, furniture and architectural structures. Using sterilised agricultural waste as feedstock, he encouraged fungal networks to digest and bind the substrate into dense, lightweight composites. He called it ‘mycotecture’ – architecture that was grown rather than assembled. His fungal structures were exhibited internationally, including a mycelium tea house which he added, brick by brick, to boiling water and served as a healthy beverage. For Ross though, mycelium is not a novelty biomaterial but a generative technology, something to build and manufacture with.
Mycelium Jacket
- Built from the softest mycelium
- Based on the iconic A-2 flight jacket
- Double-layer front pockets
- Fully lined
Mycelium is a billion year old biotechnology. It powers entire ecosystems, recycles the dead, and NASA thinks we can probably use it to grow houses on Mars. Follow a mycelial network under a microscope and it looks very much alive. Which is why in speculative biology, architecture and computing, it’s being treated less as matter and more as a living system.
Researchers are now using mycelial networks as experimental computing media, tapping into their electrical activity to build rudimentary biocomputers, shroom-robots, neuromorphic components that mimic how brains process signals, and self-sensing materials. In these projects, mycelium is the biomaterial computers are built from, the sensor that reads the world, and part of the processor itself.
And once you start seeing fungi as a dense, living network, new possibilities emerge. What if this biology is something we can build with? Mycelium already runs underground logistics for entire ecosystems. And under controlled conditions, those same threads can be bio-engineered into dense, complex interlocking sheets. This is the start of materials that are programmed, not manufactured.
So we did a bit of programming to build the softest mycelium leather jacket ever made. There’s currently just one in the world as it’s a concept piece to show what will become possible in the next decade. Currently it’s ours, as we built it. However we are of course open to offers. But please note, we think the jacket may be conscious… so you’d have to be extra nice to it.
Fungal architecture
The most famous leather jacket ever made
During the Second World War air crews painted their A-2 jackets with squadron insignia, mission tallies and pin-ups, turning each one into a personal record of their service and what they were missing. War over, the A-2 became prized military surplus. Then Steve McQueen wore one in The Great Escape and made it arguably the most recognisable leather jacket ever made.
Engineered for cultivated skin
We redrew the architecture of the jacket to create cleaner lines that let the material sit naturally rather than forcing it into hard breaks. We’ve added two large, side-entry double layered pockets, a zipped internal pocket and snap-fastening outer pocket, that sit flat and have moleskin pocket bags. There’s also a sleeve zip pocket and a covered two-way front zip while ribbed cuffs and hem echo the original A-2’s draft-sealing.
30 parts, 1,100 hours of printing
The finished box is about the size of a small dining table and made up of 30 individual parts printed in polylactic acid, a biodegradable bioplastic derived from corn starch. Apart from its edges, each part has no straight lines, just dense, organic complexity and Seb says it was the most demanding 3D printing project his team had ever attempted. Completing it took four printers running full-time for four days, 1,100 hours of continuous printing.
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